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The Strindberg Project

In  a  collaboration with playwright Laurence Carr,    we have translated a few of Strindberg's plays into English for the first   time and adapted to a contemporary audience, as well as new translations of his better known plays

In our translations we have strived to keep the tone of language truthful to   Strindberg, while simultaneously accessible to a modern audience. Plays translated are Playing with Fire,   a one act play, and    Mr. Bengt's Wife, a full-length play   translated into English for the first time.     Both plays have had fully staged productions in New York. 

For more information about the plays and to inquire about possible production of  these plays, please contact:
​Laurence Carr at:   http://www.carrwriter.com/

​August Strindberg (1849 - 1912)

PictureAugust Strindberg,50


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​One of Sweden's greatest writers and   playwrights. He was contemporary with  Henrik Ibsen, Hans   Christian Andersen, Sören Kierkegaard and Knut Hamsun and  equally influential   on the literary scene. 

He   wrote poetry, fiction and plays and his work falls within the   categories of   naturalism and later on expressionism.

The novel that brought him   to fame was   The Red Room   (1879). As a playwright he strived to be impartial  and objective.     He considered reality boring and mundane   and   wanted his  plays to be open for interpretation and exploration   during the theatrical process. One of his most known naturalistic plays is    Miss Julie. Later he was   considered to be one of the pioneers of the modern European Stage when he   turned towards symbolism and expressionism.   ​Ett drömspel   (A Dream Play),   Spöksonaten    (A Ghost Sonata) and   Dödsdansen     (The  Dance of Death)   ​are a few famous plays from this   era.


MR. BENGT'S WIFE / Herr Bengts  hustru,  1882

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​Mr. Bengt’s Wife     is the passionate story of Margit, an orphan and rebellious novice who breaks her convent vows to marry her “Knight”, Lord Bengt, a wealthy landowner. Her husband’s fortunes soon dwindle, and she seeks her freedom from her approaching poverty. As her marriage dissolves, she is hotly pursued by the convent priest and a childhood friend, who is now the Bailiff of the town. Her love/hate relationship with Bengt also continues, adding to Margit’s personal revolution with 19th century society’s view of women and the emerging feminist movement. Seeking to end her life, Margit finds herself a “new woman”, who will engage with men, women and society on her own terms.   Mr. Bengt’s Wife   is Strindberg’s rebuttal to Henrik Ibsen’s, A Doll’s House, interweaving scenes of realism and dreamscape into a powerful dramatic work from one of the masters of modernism. ​

On August 27 2011,   Mr. Bengt's Wife   had a staged reading for the public in    Newburgh, New York.
It was produced by the Railroad Theater Company and directed   by Seth   Soloway.

Mr. Bengt's Wife had its English-Language premiere  at the Gene Frankel Theater in  NYC , September 15 2013. 
Produced by The August Strindberg Repertory Theater and directed by   Craig Baldwin. 

Words of Praise for   Mr. Bengt’s Wife​

Picture​Produced by: Robert Greer with the cooperation of Theater Resources Unlimited.

​“A Strindberg Rarity—Mr. Bengt’s Wife--An Answer to Ibsen’s   A Doll’s House”

“Mr. Bengt’s Wife, in its American premiere (translated by Malin Tybåhl and Laurence Carr) treated me to an insightful view of a master in his early development. A no-holes-barred tale of hysteria, gender expectations and personal redemption, it is a mirror opposite of the mature and organized Ibsen’s   A Doll’s House. The play is still ground-breaking, one of the true classics of progressive theatre.

Mr. Bengt’s Wife    is a delirious collection of scenes boasting a lyricism approaching madness, with a heightened Shakespearian influence running through its modern language.   Bengt     is a transitional piece, like one of a great composer finding his voice. And it is a glorious voice he is crafting.

The work is deeply emotional—ultimately leading toward a human conclusion. It has a stylized, episodic element to it, almost dream-like. Directed by Craig Baldwin, the piece was allowed to breathe, but always moved forward in its action. Kersti Bryan, well suited to the demanding role of Margit, never missed a beat, transforming herself from the high-flying, overly optimistic girl to the bitter and unforgiving wife and then back again, prompting us to ask if she is dangerously unstable or merely a multifaceted woman."

                                                                                                Melody Breyer-Grell, The Huffington Post, 9/19/13    Full review 
​

“The August Strindberg Repertory Theatre digs deep into the Swedish misanthrope’s trunk of obscurities to unearth this 1882 tale of a woman determined to shake the yoke of convention.” 

                       From the “Good Odds” column,   Time Out New York, September 26-October 2, 2013.


​"A new translation by   Laurence Carr   and  Malin Tybahl  makes this undiscovered masterpiece accessible to modern American audiences.   
 It has never before been translated into English and has been performed only five times previously: in Stockholm in 1882, Cologne in 1908, Vienna in 1914 (the Austrian Church demanded that it close after two performances),  Berlin in 1920 and most recently, in Stockholm in 1971. The Strindbergian theme of marriage as an emotional battleground is strongly stated and    there are absurdist elements foreshadowing such Strindbergian signature works as The Dream Play."       

​                                                                                                                                                                                                                                                                                                                                                                                                                                                                     
  Broadway World         To read the    article.

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Kersti Bryan as Margit and Eric Percival as Mr. Bengt. Photo by Jingxi Zhang.
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Mr. Bengt's Wife / Poster Logo Photo by Jonathan Slaff.
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Mr. Bengt's Wife / Composition

PLAYING WITH FIRE    /   Att leka med elden  , 1892

A  comedy in one act.  This play is set at a sea resort during the   summer. The couple, Kerstin and Knut, is staying with Knut’s wealthy parents,   along with Knut’s cousin Adele. Knut and Kerstin   are in total financial dependency of his parents, which creates tensions   between them. To   complicate things further an old friend of Knut surprisingly   shows up for a few   days. Intrigues, jealousy and scheming are part of everyday   life since both Knut   and his father are hosting warm   feelings towards Cousin Adele, while Kerstin and   Axel are in heat.  

Playing with Fire   premiered   at the Suny Hall Theater in Suny Orange, New York , November 7 2014. 
PictureProduced and Directed by: David H. Cohen Lighting Designer: Peter Galipeau

Playing with Fire is one of Strindberg's rare comedies.   It originally premiered in Berlin in 1893 and was considered way too outspoken.   It depicts erotic intricacies and love triangles within an   artistic well to do family and their friends. Although a comedy, it is   a serious one,   where the characters hide their tragedy behind a certain cynicism, according to Strindberg's own writing. The characters can somehow only exist in relation to someone else.   The original   location is at a lake side in Sweden, but for various purposes the location has been moved to Woodstock. This Suny Orange production's set design "is a work of beauty". 

Cast: 
Newt: Alan Moss
Kerstin: Sarah Hutchinson
Mother: Victoria Cottone
Father: Joseph Polichetti
Adele: Jazmin Jackson
Axel: Dakota Cohen


IN THE WORKS 

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​Gillets hemlighet / The  Secret of   the Guild  (1880) 

 
 A Comedy in   four acts.  It's about a few craftsmen   who  are part of an association that is responsible for building and finishing a   cathedral in the village. There is secret, handed down to each alderman of the  society, of how  to build so the church tower will hold up against the natural  elements. There is  a power struggle within the guild about the secret   and who should be the   next alderman. Jealousy, lies and attempted murder are all things going on, ending in catastrophe. It is believed that Strindberg may   have used the   cathedral of Uppsala as inspiration for this story as it   collapsed once during   construction.  

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​Ett halvt ark  papper / A Half Sheet of Paper: 
​A short story from the collection Sagor (1903)
​

It's about a man   reminising    about his life, from scribbles on a note, after losing his wife. ​

  • Home
  • About the instructor
  • SWEDISH COURSES
    • ENROLL AND PAY
    • Testimonials
  • Tutoring and Evaluations
    • Swedish Summer Conversation Class
  • Translation
  • The Strindberg Project
  • Contact